I have seen a lot of genré films in my life, but there are some that inevitably escaped my attention - note that I'm talking about the movies of days past, not the current astounding glut of direct-to-video horror and sci-fi that choke the new release shelves of your local BlockWood video store, which are so numerous I'm not sure anybody can keep track of them all. Possibly they are what I'll be writing about with fondness in the year 2025. But we're here today to talk about Planet of Dinosaurs, which I had only heard of a few years ago, but bears a production date of 1978. Hm, 1978. What was I doing in 1978? Oh, yes, eating
as many drugs as I could get my hands on. But I still would
have But we should probably talk about the movie, shouldn't we? Okay, the spaceship Odyssey (wow! creative name!) comes out of subspace (so we're told) and immediately has problems with a "runaway reactor". A shuttle is promptly loaded up and jettisons before the ship explodes; the shuttle then ditches on the unexplored planet, and sinks faster than the ship in Planet of the Apes (and people wonder why I'm in no hurry for commercial space travel). Only nine people managed to get on board the shuttle, and eight of them will be our tormentors for the next 90 minutes:
Well, our eight castaways dry off on the shore of the lake and take stock: they managed to get off the shuttle with a few cases of equipment and four lasers. Cindy, however, left the emergency radio on the sunken ship. This points up a strain of ineptitude and stupidity that will run throughout the picture - though Lee constantly makes the statement that they are technicians, not explorers, they are pretty stupid technicians. Harvey, the Spaceways, Inc. Vice President is not exactly the brightest diode in the display, either, as he keeps asking Capt. Lee why he doesn't just call somebody and have them picked up (Mike, who will later earn my unwavering scorn, responds to this with, "This isn't Nebraska!" I kept expecting someone to get sick of Harvey and punch him out - more fool I, as I didn't really need to set myself up for more disappointment).
It is decided to move inland, just in case the Cindy Eater is amphibious. Derna and Mike bring up the rear as the party crosses through some swamp; the secretary is being understandably reticent about walking in water, seeing what happened the last time a woman and some water intersected. Mike decides to calm her down by letting her carry his laser. Okay - my general way of dealing with occurrences in sci-fi movies is to attempt to come up with some present-day analogue: hysterical woman doesn't want to cross river because there might be piranha, and National Guardsman hands her his fully loaded M-16, with the safety off. I certainly don't want these two behind me in line. Well, Derna slips and falls in the river, soaking the laser and rendering it useless (what? Did the powder get wet?) . The next morning, our heroes are surprised to wake up and discover an Apatosaurus grazing nearby (actually, it is a Brontosaurus, as back in 1978 there were still such things as Brontosaurs) - it is theorized that since the planet's environment is so similar to Earth's, a sort of parallel evolution is taking place. It's a very homogenized sort of parallel evolution, as we will be running into beasties from many different eras, from the Jurassic through the late Cretaceous.
Fellow Mystery Science Theater 3000 fans will recall the episode - King Dinosaur, as I recollect (I recollected wrong - it was Lost Continent, and thanks to 3-B Theater for gently pointing out my error)- where Dr. Forrester and TV's Frank tormented Joel and the Bots with smug utterances of "Rock climbing, Joel.... Rock climbing." Whereas Planet of Dinosaurs is not so bad in the endless padding department as King Dinosaur (Lost Continent!) , permit me to say: Rock climbing, audience... rock climbing. During the seemingly endless climb, Nyla slips and nearly falls to her death, but is grabbed by Jim, who continues to demonstrate that he is possibly the only competent member of the crew. Unfortunately, this means that Nyla's laser and the case containing all the survival rations plummet to the rocky ground below. VP Harvey tries to order Lee to send someone down to reclaim the food, but the captain instead insists that they will find food on the plateau above. Ah, I think, Battle of the Network Idiots. Yes, there is hopefully food on the plateau. But the tossing off of the only rations - not to mention the spare parts the remains of the laser might afford - is pretty (you guessed it) stupid (Fortunately for the late 70's hairstyles of the men and women, the case containing the blowdryer is still intact).
After burying Harvey (and the next-to-the-last laser, I suppose), our dwindling supply of actors finds a defensible spot and Lee orders them to start building a stockade. It's at this point that Jim starts making noises toward being Alpha Male - he feels that rather than cowering in a cave, they should be on the plain, actively hunting the dinos and teaching them that the little hairy bipeds should be feared. Still, he defers to Lee as he is the Captain, for the moment. Time passes, and the stockade is slowly completed - incidentally, one of the flimsiest excuses for a wall I have ever seen, even in a low budget movie - I mean, some angled stakes or punji sticks would have been nice - and upon its completion, Mike breaks out some berry juice he has been fermenting, and everybody gets smashed, except for the gruff Jim, who stands guard with a certain amount of bitterness and disdain. Derna does "The Dance of Desire", and everybody probably gets laid. But not on camera.
Jim and Lee track the T Rex to its lair - a nearby cave - and consequently set to arguing about how to deal with it. Jim, of course, wants a full frontal assault, but Lee wants to try poison bait - Charlotte, before she threw away her tricorder, identified a local berry as poisonous. This time, the crew lines up on Lee's side - they hunt and kill a baby Stegosaurus and load it up with the poison berries. The major flaw in their plan is not posting a watch on the cave - when they're transporting the carcass up to the cave, the T Rex isn't in it, it's behind them, and it makes a tasty snack out of Mike, who had run out of lasers to lose, anyway.
The trap completed, our plucky crew attract the Rex's attention by the simple expedient of yelling wugga wugga wugga at the cave mouth, then running like hell (Nyla, of course, trips, but has enough sense to hide behind a bush) until the Rex blindly impales itself on an enormous wooden stake coated liberally with their homemade toxin. Hooray!
Probably the first question to be asked about a space-faring SF flick is, how are the special effects? Well, the ship model is pretty good, though the flight scenes - very few and very brief - are nothing special, and at least the quality of, say those in Dark Star. The stop motion dinosaurs are very good - if you're watching the opening credits, you'll notice a couple of familiar names, like Doug Beswick and Jim Danforth in support of FX wranglers Jim Aupperle and Stephen Czerkas. There's the usual problem with mixing stop motion with live action - the models are in sharp focus while the people are fuzzy and a generation or two down, image-wise. You'll even see this in Harryhausen flicks, but it's even worse here, as the film stock seems to change between normal and FX scenes, the contrast and colors varying greatly. But I'm afraid it's our old pals, the script and the actors who do the most damage to Planet of Dinosaurs. While the script has an interesting arc in terms of the evolution of our group of "technicians, not explorers" into a hunter-gatherer tribe, it rarely plays fair with the characters in terms of the constant stupidities they must commit in an attempt to either generate some tension (note I said "attempt") or move the story along. Attempts (there's that word again) are made to bridge the action setpieces with quieter, human moments as the castaways try to find comfort and forge relationships with each other - the writing here, while it doesn't ideally sing, isn't awful, but sadly the acting - which ranges from the simply awful to the hardly average - merely serves to make these moments leaden and painful, and the direction is certainly not good enough to compensate. In short, once again we have a story with interesting
bits and pieces that is sabotaged by a budget far below its aspirations,
shot - apparently in 16mm - with a cast of non-professionals that
only serve to drag the sub-standard picture quality down even further.
This story should be It's a sad state of affairs that I spent most of the writing of this review trying to shoehorn in a "voting off the planet" joke in honor of America's current fixation on the CBS "Survivor" series. I never really managed that, but I did become enamored of the concept that in a war with another group of castaways, the denizens of Gilligan's Island would kick these moron's asses.
RATING:
At least my two year-old liked the dinosaurs. - July 23, 2000
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