Sarah Silverman Program season 3 highlights
The Sarah Silverman Program | ||||
Season Three Highlights | ||||
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Film, technology, fun.
The Sarah Silverman Program | ||||
Season Three Highlights | ||||
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"Please do not be cynical . . . . Nobody in this life gets exactly what they thought they were going to get, but if you work really hard and you're kind amazing things will happen."
Labels: TV
(tip o' the hat to @hyams and @jmerriman)
Where by "universe" I mean "my attention."
Dig this interview with my TV girlfriend (as dubbed by my wife) in Vanity Fair, accompanied by Annie Leibovitz photos. And hey, here's some video of the photo shoot.
Isn't this a few years too late? I haven't heard great things about the movie, but I suppose the X-Files fan base is strong enough to lap up a few of these puppies. Unfortunately the markup is about $100 just for the branding.
Labels: apple, technology, TV
Executive producer Julie Gardner told TV Guide: "We've decided to do a five-part mini-series, one big story that will run during one week. I wanted to make a really big noise about the show."
Gardner, who confirmed that John Barrowman will be back as Captain Jack, remained coy about any additions to the cast following the death of two regular characters in the second season finale. However, she said that fans of the show "will be pleased with the casting."
Labels: TV
Last night Christina and I hooked up our new Netflix Roku box, which allows us to finally take advantage of the Netflix "Watch It Now" program. About 10% of the titles on Netflix are available to watch as streaming video for no additional cost on top of your regular DVD rental subscription. I'd never really used it before because it only worked with Windows PCs. Not only is my primary laptop a Mac (and I never could get it to work with my Windows XP machine), but I dislike watching video on my laptop for more than a few minutes. When I want to watch a movie or TV show, I want to take advantage of my couch and the nice TV set sitting in front of it.
Enter the Roku box, which hooks up to your TV and streams the video from your Netflix account over your wireless (or wired) home network. You have to add movies to your "instant watch" queue on your computer before they show up as selections on your Roku box, but I actually prefer it that way. Once you select a program, it takes about a minute to spin up the show and then you're watching. Since it's streaming, network interruptions could result in video stutters or straight-up stoppages. Over the 90 minutes or so that we watched a couple of different TV show episodes ("A&E Biography" and the pilot of the original "Battlestar Galactica"), however, we never noticed so much as a blip. Video quality varies depending on the speed of your network, but even though we got the medium-quality stream (2 pips out of 4 on the little quality meter that pops up), it looked more than passable. Better than Tivo's "basic" recording quality, and we watch TV at that quality all the time.
Setup was dead simple -- plug into TV, plug into wall, follow on screen instructions. I was done in about 10 minutes, including a system software update. It was the most painless install I've done of a home theater component ever.
There are a few minor down sides, but I don't think they're deal breakers by any means. First, it's yet another box to hook up to your TV. But given the plethora of hookups most TVs come with these days that's less of a problem than it once was. Adding to the clutter problem, I can also see a time when I'm going to want to run an ethernet cable over to the TV to get higher quality video -- especially if HD content (which the box can handle) becomes available.
The Roku box's biggest problem is the dearth of content, which is annoying but not insurmountable. About 10% of the titles on Netflix are available on Watch it Now, and Netflix conveniently scans your DVD queue for the titles that are available to watch instantly. (You'll have to manage the queue of things you've seen manually so that you don't end up with a DVD in your mailbox that you've already seen on the Roku box.) The biggest rebuttal to this problem so far is that there's a ton of great TV content, including recent shows like Weeds and 30 Rock and classics like The Dick Van Dyke Show and a bunch of vintage Doctor Who episodes. If you've ever watched a series all the way through on DVD, devouring episodes like candy, the Roku box is for you. The ability to take a chance on something -- and bail consequence-free if it sucks -- is liberating. What's this? Knight Rider and The Hardy Boys Nancy Drew Mysteries?
For more on the Roku box, check out David Pogue's review in the New York Times.
Labels: movies, netflix, technology, tivo, TV
The show was about an apocalypse. The show opens with a genocide, an apocalyptic destruction of 12, count em, 12 planets. Billions of human lives are lost. The survivors heroically run away, fleeing an implacable enemy that is determined to destroy them no matter what, and they're looking for a mythical place called Earth.
And the first place they go is the casino planet.
Labels: TV
To win a Best Supporting Actor Oscar, it really helps to be an old white guy.
If you want to win a Best Supporting Actress Oscar, play someone's mother, or a hooker, or, if at all possible, both.
The Academy Awards ceremony has never, ever included a tasteful musical number.
-Good news: Shows like "Ugly Betty," “Grey’s Anatomy" and “Lost" could start filming within two to four weeks after the end of the strike and produce a month’s worth of episodes to finish out the season. Also, “Two and a Half Men," “How I Met Your Mother," “Back to You" and “Samantha Who?" could all complete more episodes, between seven and nine.
-Bad News: Shows like “Heroes" and “24" probably won’t be back for a long time. Both shows deal with long story arcs and wouldn’t have a chance to complete them in such a limited time. While “Heroes" could just come back in the fall, EW speculates that “24" might not be back until 2009!
Labels: TV
In this week's New Yorker, Nancy Franklin's article on the TV series Pushing Daisies reveals that its creator Bryan Fuller was responsible for two other quirky-brilliant television series, also favorites of mine. Dead Like Me ran for a brief two seasons on Showtime and Wonderfalls flared out after only four episodes. (Both shows are now available in their entirety on DVD.) In retrospect this makes a lot of sense; Daisies shares the precision of comedy that made both shows so delightful. The changeover to a male protagonist (both other shows featured young women as the focus) makes for interesting comparison, though Ned seems much less a protagonist than a human Maguffin around which the other characters orbit. If you're unfamiliar with the series, read Franklin's article for a good synopsis.
I don't know how many episodes Franklin got to see before turning in her final draft, but she skips over the show's most interesting feature by far: Kristen Chenoweth as Olive Snook, the waitress at Ned's restaurant and the rival for his affections. The third point in a romantic triangle is rarely given the charm and subtlety of character that we see in Olive, and given the problems inherent in a romance between Ned and Chuck, it would be nice to see the lovebirds come to some sense about their relationship and let Olive get her shot. For the purposes of drama, however, this is exactly what will not happen.
Franklin closes her article with this:
"Pushing Daisies" probably shouldn't last longer than a season; fairy tales aren't supposed to go on forever. It will then take its place proudly beside other worthy efforts that lived fast, died young, and left behind a beautiful DVD.I disagree that the concept doesn't have the legs to last longer than a season; it could probably go three or four without going completely stale, but it needs to get past the Ned & Chuck romance stage in order to move on to more interesting things -- like the origins of Ned's power (which might take all the fun out of it), or perhaps some other interesting applications to be derived from it. (Could Ned resurrect famous figures from the past, provided their remains could be located?) Fortunately for us the ratings for Pushing Daisies are quite good. If it can survive the seemingly inevitable writers' strike hiatus, we may get to see more than a single box set's worth of stories.
Labels: TV
It's not long now until Friday night - and Time Crash, the special Doctor Who scene starring David Tennant and Peter Davison.
As well as Time Crash, written by Steven Moffat and directed by Graeme Harper, the Children In Need telethon will also feature the vocal talents of John Barrowman, who will be singing during the evening.
In association with Children In Need, the Doctor Who website team will be doing our bit to support this historic meeting of two Doctors.
If you're in the UK, you'll be able to catch the scene online for seven days after it's shown on TV, along with a very special behind-the-scenes featurette from the Doctor Who Confidential team.
We'll also be running a mini episode guide, including galleries, a fact file and full credits.
Labels: nerdly events, TV
Labels: TV
Call it a quick holiday cash-in targeted at current TiVo owners if you must, but you're not about to kill our buzz about the fact that TiVo's resurrecting the greatly missed Product Lifetime Service (aka lifetime subscription) for Series3 and HD owners -- temporarily, anyway, and for realsies this time. As of today -- but only through January 2nd, 2008 -- current TiVo owners can upgrade their Series2 to a Series3 or HD with lifetime, or simply upgrade the service on their current S3 / HD -- equipment aside, the service will set you back $399.
Labels: technology, tivo, TV
I’ve done well, and I’m grateful that I can weather a long winter. Compared to what the studios have made off me my share is tiny and cute, but I’m in no position to complain. But take that differential, apply it to someone who’s just getting by when they deserve better. Now take it and… well, just take it, ‘cause when it comes to the internet and the emerging media there’s nothing there for the artists. There’s no precedent; these media didn’t exist the last time a contract was negotiated. We’re not just talking about an unfair deal, we’re talking about no deal at all.
Labels: movies, technology, TV, youtube
The screenwriters strike is here, and I can't say I'm too broken up about it. We're just a wee bit TV addicted here at Stomp Tokyo HQ (Austin branch), so maybe the break from TV (which looks like it'll come right around Christmas or so) will let us get a few things done besides feed our eyeballs. There are obviously serious issues at stake here and there's a lot more than my personal productivity to consider, but on the most personal, selfish level I'm looking forward to the break from the Tivo onslaught. Perhaps I'll even remove a season pass or two, though I imagine my wife and I would have to fight over which ones would get the axe.
Labels: TV
Labels: podcasts, stomp tokyo, TV
Labels: TV
Labels: TV
Labels: TV
Labels: TV