Here is a movie that does not quite deliver the magic that its clever premise promises, but never fails to deliver a good time. Night at the Museum should be viewed for what it truly is - A fun little piece of holiday escapism that kids will undoubtedly go nuts over, and parents will smile at. The movie is fast paced without ever being overly chaotic or frantic, and constantly keeps itself in check so that it never becomes too wild or scary for young children in the audience. Yes, the movie could be a lot better and smarter, but it still works as an instant crowd pleaser thanks to a game cast that gives it their all. It never offends, has a couple good laughs, and should fit the bill for anyone looking for simple "in one ear and out the other" entertainment.

Ben Stiller plays Larry Daley, a divorced father who has never been able to hold down a single job, and is always pursuing get rich quick schemes that usually end in failure. In danger of losing visitation rights of his young son Nick (Jake Cherry) unless he buckles down and tackles a serious career, Larry goes to an employment agency where the only job he's qualified for is to be the night watchman at the Museum of Natural History in New York City. The Museum has been downsizing, due to dwindling customer numbers, and Larry learns that he is replacing three long-time night watchmen who are finally retiring after years of service (played by Dick Van Dyke, Mickey Rooney, and Bill Cobbs). When one of the retiring watchmen offers him a stern warning not to let anything out of the Museum after dark, Larry has no idea just how much he should heed the man's warning until later that night when he discovers that all of the Museum's displays come to life every night thanks to the magic of a legendary golden treasure located in the Egyptian wing of the building. What at first seemed to be a simple and mundane job turns out to be anything but, as Larry learns that it is his duty to keep order within the Museum after dark. He will have to take true responsibility on the job for the first time in his life if he wants to maintain some sort of control.

That Night at the Museum manages to mostly stay afloat came as a surprise to me, judging by some of the talent involved behind the camera. With Shawn Levy, director of the terrible Pink Panther and Cheaper By the Dozen remakes, at the helm, and a screenplay provided by Ben Garant and Thomas Lennon (who have shared writing credits on such stinkers as Let's Go to Prison, The Pacifier, and Taxi), let's just say I wasn't walking on air on my way into the theater. Much to my surprise, the film has a little bit more on its mind than just being a brainless holiday blockbuster, thanks to some generally likeable performances, and an underlying message that kids (and some adults) can take home that learning about history can be enjoyable. I liked the way that Larry develops different individual relationships with the various inhabitants of the museum, including Teddy Roosevelt (Robin Williams), Atilla the Hun (Patrick Gallagher), and Native American guide Sacajawea (Mizuo Peck). The movie even allows some of the historical figures to develop relationships with one-another, such as the way Roosevelt admires Sacajawea from afar, or how the miniature diorama cowboy and Roman soldier figurines (led by characters played by Owen Wilson and Steve Coogan) form an uneasy alliance having the share the same display room. The movie constantly teeters on the edge of falling into complete chaos, with hundreds of living wax figures and wild animals running around nearly every corner of the background action, but it never quite falls into the trap of letting the special effects and costumed figures completely overtake the movie.

A lot of what makes the film works has to do with the energy that carries through from the screen to the audience. The actors seem to be having a lot of fun, the special effects are convincing for the most part, and the sets are a more than passable replica of the actual museum. (The filmmakers were not allowed to shoot any interior scenes in the actual building, so they had to build their own massive sets that captured the essence of the place.) For a movie that's literally one major special effects or action sequence after another, the actors are able to give some generally well rounded and enjoyable performances, despite the chaos that erupts around them. Ben Stiller can play the role of the hard-luck loser in his sleep by now, but he comes across as likeable. Unlike a lot of his past roles, his character is mainly treated with respect, and does not exist strictly for a tool of humiliation for others. Yeah, there's a cute little monkey who constantly gets the best of him, but the standard Stiller embarrassment humor is kept relatively low key this time around. Robin Williams is surprisingly effective in his portrayal of Teddy Roosevelt, in that he mainly plays the character straight, and never goes into his usual manic comic act that he's known for. The stand out performances, however, belong to Owen Wilson and Steve Coogan, who deliver the film's biggest laughs as a pair of warring diorama figures. I also greatly enjoyed seeing Dick Van Dyke again as the previous head night watchman, and his highly energetic and mischievous performance. It's a shame that the film gives him (along with fellow veterans Mickey Rooney and Bill Cobbs) very little to do, even when his role in the plot is revealed.

If there is one thing that holds Night at the Museum back, it is that there is just no sense of wonder or magic. For a movie that promises magic in it's very premise, this is hard to forgive. The movie is so busy throwing elaborate special effects and action sequences up on the screen, that it forgets just how wondrous the things it is showing us are, and never stops to let us admire in awe what we are seeing. Though it never bothered me enough to look at the film in a negative light, I often found myself wishing that it would slow down from time to time, and just let us take everything in. Even with a fairly generous running time of just over 100 minutes, the movie seems to fly by in a blink of an eye. The film comes up a bit short in terms of plot, as well. Other than a plot development that occurs during the film's final half hour, there's never any real tension created in the story, and the movie simply consists of Stiller attempting to keep the inhabitants of the Museum under control every night. There are a couple romantic subplots, including one that Larry shares with a woman who works the day shift at the building (played by Carla Gugino), but this is mostly left underdeveloped, which is a shame because there is some sweet chemistry between the two actors during the few scenes they get to share together.

By all accounts, Night at the Museum is a movie that should not work due to its thin plot and over-reliance on elaborate set pieces. Somehow, it manages to pull through thanks to some undeniable charm and strong performances. My reaction's on the fence, but I did wind up liking it more than I thought I would. There's no question that kids will love it, however, and it might even get them interested in history. With so many family films existing solely to sell merchandise or peddle soundtrack albums, that's certainly admirable. Night at the Museum may not be a night to remember, but it's certainly one you won't regret seeing. With just a little bit more magic and awe added to the proceedings, it could have been something really special.

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