Usually when a movie has been sitting on a studio's shelf for over a year, it's not a good sign for the film's quality. Charlie Bartlett is a welcome exception to the rule, and made me wonder if perhaps MGM was nervous about releasing the movie because they didn't know how to market it. Charlie Bartlett is an odd mixture of teen comedy, a sharp and honest look at the failure of public education, a biting satire on psychiatry and prescription drugs, and a drama that takes a serious look at acceptance both at school and at home. The screenplay by first time screenwriter Gustin Nash doesn't always balance these elements successfully, and it takes a little while for the movie to find its footing. Once it does, however, Charlie Bartlett is a movie that covers some familiar territory, but in an unconventional way.

The title character is portrayed by rising young star Anton Yelchin (from Alpha Dog), and when we first meet Charlie, he's just been expelled from a private school for selling fake drivers licenses to the other students. His slightly ditzy mother, Marilyn (Hope Davis), decides that her son should try his hand at a public school. Almost as soon as he steps into the world of public high school, Charlie realizes he's going to have to play against the rules if he wants to make a name for himself in this strange new world. He concocts a plan where he sells prescription drugs to the other students that the many narrow-minded therapists his mom sends him to (who seem more interested in doping Charlie up rather than listening to his problems) keep on trying to put him on. Furthermore, his talent for listening to other people's problems and helping them inspires him to open a counseling service right in the school's restroom, where students can anonymously step into the bathroom stall, and tell him their troubles. Charlie quickly becomes the talk of the school, and he wins the attention of the entire student body. The school's alcoholic and emotionally distant principal (Robert Downey Jr) eventually begins to catch on that the balance of power in his school is starting to shift to this student who came out of nowhere, and becomes further threatened when Charlie begins dating his daughter, Susan (Kat Dennings).

There's nothing in Charlie Bartlett that hasn't been said before, but the way the movie says it in an intelligent and thought provoking manner. This is a movie that remembers when the most important thing in a person's life is to be "popular" and to be seen as someone important in the eye of his or her peers. While this desire exists in some form in nearly every stage of life, it is almost pivotal in those awkward teen years, where nothing else seems to matter. For Charlie, acceptance is especially important. His mother turns a blind eye to his problems, the many therapists he sees seem to think the answers lie at the bottom of a bottle of Ritalin, and his father's sitting in prison on a tax evasion charge. He finds that listening and helping others not only takes his mind off of his own problems at home, but also helps him earn that all-important popularity. With his talking and listening skills, he is able to win over the school bully (Tyler Hilton), and even reach a few teens who couldn't be reached before. One of the film's strengths is that it portrays its characters and situations in a realistic manner. While it is mainly being billed as a comedy, the movie walks along a delicate tightrope as it veers from one tone to the next. Sometimes the change in tone is quite abrupt and jarring (we go from a light-hearted party sequence, to one of Charlie's peers attempting suicide by overdose in the very next scene), but for the most part, editor turned filmmaker Jon Poll does a good job of tackling the film's many sides.

If there's any problem with Charlie Bartlett, it's that it seems to draw inspiration from one too many past films. Its most closest relative is the early 90s Christian Slater film, Pump Up the Volume. It's tone is not quite the same, but many of the plot points are similar. Viewers may also draw comparison to other teen films as Rushmore, or even a little bit of Ferris Bueller. What helps the movie set itself apart is the intelligent screenplay by Nash, and the talent on display. Anton Yelchin obviously relishes his role, as he is able to nail all of his character's personality, quirks, and faults almost to a tee. He makes Charlie Bartlett into someone who is crying out for attention, and has been forced to grow up a little too quickly due to his home situation. As his love interest, Kat Dennings is able to take a somewhat underwritten character, and turn it into a charming performance that makes it easy to see why young Bartlett is drawn to her. The real stand out performance, however, belongs to Robert Downey Jr as a Principal who is probably ill-equiped for his career of managing young minds, and drowns his sorrows in self pity and alcohol. There's a scene late in the film between Yelchin and Downey, where the two have a final confrontation, and Downey's performance here is honest and heartbreaking. He's a deep, rounded character who comes across as being much more than an out of touch adult that a lesser screenplay would have treated him as.

Charlie Bartlett plays almost as an independent movie that somehow got major studio backing. This is both to its credit and works against it. The studio obviously didn't know what to do with the film, so they shuffled it through various release dates the past year or two, until finally dumping it into late February. It's a shame that this movie has almost been prevented from finding an audience with teens, as the film has been given an R-rating due to a few "F-bombs" and some partial nudity. This is a smart movie that all teens could probably take something away from, but they won't be able to see it until it comes out on DVD. Too bad, really. Aside from the fact that the movie suffers from somewhat of an identity crisis, and sometimes tries to cover too much material, this is a movie worth seeing, and is certain to reach its target audience.

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