Watching Towelhead, it's easy to see that it sprung from the mind of writer-director Alan Ball, best known for writing the screenplay to 1999's American Beauty. (Although technically, the film is based on a novel by Alicia Erian.) Both films are darkly satirical looks at what goes on behind closed doors in suburban America. Both are films about teenage sexual discovery. And both mix biting humor and drama with ease. Towelhead adds a couple new themes as well, such as racial prejudice, due to the fact that the central character is a 13-year-old Middle Eastern girl living in America at the height of the Iraq War back in 1990.

The girl in question is Jasira (Summer Bishil), and right at the beginning, she is sent away by her irrational American mother (Maria Bello) after Jasira is caught shaving her pubic hair with the aid of her mother's new boyfriend. The mother coldly puts her on a plane (not before saying it's Jasira's own fault she's being sent away), and sends her to live with her estranged Lebanese father, Rifat (Peter Macdissi). Her father lives in an upper class suburb in Texas, and is determined to keep his daughter under his thumb. When Jasira has her first period, he refuses to buy her a tampon. When she begins dating a sensible young black boy at school named Thomas Bradley (Eugene Jones), he becomes outraged. It doesn't help matters that she seems to be hanging around a lot with the Army reservist who lives next door (Aaron Eckhart), who seems to have taken a sexual interest in the young girl. As Jasira experiences her sexual awakening, her father finds her harder and harder to control, which infuriates him to no end, to the point that he begins to resort to physical abuse. Jasira's only means of sanctuary from her controlling father is the neighbor on the other side of her house (Toni Colette), who at least offers her shelter from the insanity around her.

Towelhead is a film that's been sitting on the shelf for well over a year, but for once, it is not due to its lack of quality. It was merely the victim of its studio's decision to scale back on independent films, which left its release in question as the studio tried to figure out what to do with the film. It's a shame that the movie is being buried because of this, because Towelhead is a very intelligent and somewhat tragic look at a young girl who is manipulated by the adult figures around her. Both of her parents are constantly changing their tone with her. Her father is usually very demanding and almost militaristic in his beliefs, but whenever Jasira does something that pleases him, or when he is around friends of his daughter that he personally approves of, he turns into a very sunny and deceptively open-minded individual. Her mom and dad almost seem to be at war with each other to win their daughter's heart, such as the scene when her mother comes to visit for Christmas, and keeps on emphasizing how much money she spent on Jasira's presents. Her boyfriend has left her by this point, and she wants to win her daughter's favor back. She is also manipulated into sexual acts by both her boyfriend at school and the military neighbor next door.

Jasira is obviously too young to recognize this, and just goes along with everything around her. And yet, the film's often comic tone keeps things from getting too heavy or depressing. Despite this, the film does not shy away from its own dark material. The film's title stems from one of the many insult names Jasira is called by her fellow students, and the son of the Army neighbor whom she babysits after school. Even her father gets some racial profiling, due to the fact that everyone immediately assumes that he supports Saddam because of what he is, despite the fact he proudly hangs an American flag outside of his house. (He even has lights around it, so everyone can see it even at night.) This ties somewhat into my favorite feature of Ball's screenplay. Despite the terrible things that the characters sometimes do, he is careful not to go too far, and allows them to hold onto their humanity. These are not bad people, they are weak. And they often feel remorse for the things that they do to Jasira. This complexity is featured throughout the film, and allows us to maybe relate to the characters more than we would if they had been written more broadly.

The performances are equally complex, with young Summer Bishil being the main stand out in her big screen debut after mainly acting on television. Despite the fact that she was in her late teens at the time she shot this film (she's 20 now), she is very convincing as a girl just beginning her adolescence, and brings a lot of vulernability to her character. The other main highlight is Aaron Eckhart, who brings a lot of humanity to a character who could have all too easily been demonized. Peter Macdissi also handles the many sides of his character very well. Even if his "sunny and open-minded" act he displays before people he approves of seems quite forced, I believe this was intentional. Aside from the performances, I also admired the very subtle music score by Thomas Newman, which is never intrusive or spells out how we're supposed to feel during the scene.

Towelhead is a movie that deserves to be seen, and will hopefully be given a chance by it's distributor, Warner Bros. The movie is due to slowly get a wider release as the weeks go on, and it's one to be on the watch for. This is a highly entertaining and thought-provoking film which is only let down by an ending that's a bit too neat and tidy provided everything that led up to it. Nonetheless, this is a memorable first-time directing effort from Ball, and I look forward to what he decides to do next.

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