Ever since her nine-year-old son Walter Collins (Gattlin Griffith) disappeared, single mother Christine (Angelina Jolie) has not been certain of a lot of things. But there is one thing she is certain of when police Captain J.J. Jones (Jeffrey Donovan) informs her they have found her son five months after he disappeared, and presents him to her at the train station in front of an anxious media and photographers. The child he shows her is not her son. Jones is adamant, however, and insists that Christine is simply under stress and not thinking clearly. With time, she will come to accept this child as Walter. Christine poses with the child for the cameras and brings him home, but there is something wrong. This, she is certain.

Clint Eastwood's Changeling is based on a true story that occurred in 1928. It's one I have not heard of before seeing this movie, but one that completely engaged and engulfed me for almost its entire running time. At the time, the L.A.P.D. was under intense scrutiny. There were wide spread reports and rumors of corruption, murder, and cover ups to hide their illegal actions. It doesn't take us or Christine long to realize that the police were never serious in finding Walter, and merely treated it as a publicity stunt to improve their image to the media. They find a lost child abandoned by a drifter that resembles the description of Walter in Illinois, and consider the case closed. The signs signaling something is not right are immediate to Christine. The child the police have given her is three inches shorter than her son was the last time she measured him. Also, she undresses him for his nightly bath, and discovers the child has been circumcised. She gets the opinions of her son's former teacher and dentist, who both confirm her belief that the child she has is not Walter. When she presents this evidence to the police, the Captain accuses her of twisting the facts, and presents some official people of his own to counter her case, including a doctor who tries to convince Christine with scientific "evidence" that the trauma the child experienced during his time away caused his spine to shrink, thus explaining why this boy is shorter. He throws "facts" and "proof" to the world that Christine is an unfit mother who did not want her son back in the first place.

Manipulation plays a big part in Changeling. Emotions are manipulated, as are facts and evidence that challenges the police's statement that the child returned to Christine is her son. The main person Christine has in her corner is Gustav Briegleb (John Malkovich), a local pastor who is more than familiar with the shady dealings going on in the police department and has a weekly radio show where he brings them to light. He convinces Christine to keep on fighting this, and fight she does. She takes her story to the media, trying to convince more people that the police only want this to go away so they can be seen as heroes, even though they did not do their job. They go to such extremes to make this go away that Christine finds herself locked away in a mental hospital under the orders of the Captain. She finds several other women there who have also been sent into captivity after experiencing the cruelty of the L.A.P.D., and trying to fight back. Even there, she finds manipulation. The doctor who examines her there twists her words around, almost convincing Christine herself that she is crazy. He does, however, offer her a chance for freedom. Sign a form that states she lied about the boy not being her son, and he will consider her "cured", and she be able to leave.

If it sounds like I'm revealing too much about the movie, I'm glad to say I am not. This is a complex and rewarding story, and Eastwood, along with screenwriter J. Michael Straczynski (creator of the sci-fi TV series Babylon 5), makes good use of the film's nearly two and a half hour running time to tell it. After a somewhat slow opening 10 or 15 minutes, the story picks up and never lets go. I was captivated as the story built, and was so interested in where it was going to go next, I was almost afraid to walk out of the theater for a quick refill on my soda, fear that I would miss some important detail. This is the rare emotional movie where we not only feel emotion for the main character, we feel many of the same ones that she is experiencing. I found myself angry, terrified, and hopeful right along with Christine. Some critics have accused the movie of being too overloaded with plot and lacking a clear focus, but I did not find this to be an issue. The plight of Christine's search for the truth is always kept in the center, and a subplot concerning what seems at first to be an unrelated investigation is completely captivating. The movie juggles both of these plots effortlessly until they come together to a complete whole. This is a rewarding story that is fleshed out, and allows us to be drawn in slowly but surely.

Complementing the engaging tale is a fine cast, especially Jolie, who approaches Christine as a simple woman who is forced to rely on strength she probably didn't know she had. She does not dramatize the character, or make her seem larger than life. This is important in a movie where she is surrounded by people who emotionally, mentally, and sometimes physically try to manipulate her into believing something she knows in her heart is not true. Another performance that should be pointed out is Jason Butler Harner as Gordon Northcott, the man at the center of the film's main investigation subplot. His character is odd, with various physical and verbal ticks and quirks that could have easily gone into the realm of self-parody in lesser hands, but here comes across as dangerous and terrifying in its simplicity. All of the performances aim for realism here, and achieve it. The movie wisely never plays up the melodrama too much, and the music score (also by Eastwood) is quiet and understated, allowing the emotion of the scene and the characters to speak for themselves.

Changeling is a movie that works on so many levels, it's hard to pick exactly one area that it does best. The production and art design recreates its era perfectly, and puts us directly into its setting without sparing any details. There are also a lot of great moments in this movie. Some of my favorite scenes involve Christine's meetings with her doctor at the mental hospital, which play out as a fascinating psychological war of words, with Christine trying to choose her words carefully, and the doctor still finding ways to twist them around and make her doubt herself. None of the scenes seem rushed, nor do any characters seem underdeveloped or unnecessary. Eastwood crafts the story in a realistic way, and then allows that story to play out. We feel like we're getting the full story here. It's been stated that the movie is pretty accurate to the actual events, and it's obvious with the way the movie lets everything flow naturally.

Over the years, Eastwood has proven himself to be a master filmmaker, and I think this is one of his finer recent efforts. The movie is more terrifying than the recent Saw V could ever hope to be, more emotional than just about any drama I can think of this year, and just an all around great movie. I see a lot of films obviously, and a lot of them start to fade from my mind hours after viewing them. Changeling stuck with me, and this in itself is an accomplishment. The fact that it succeeds at almost everything it tries is an even greater one.

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